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In the leisure business, some artists carve out their very own area of interest with exceptional creativity, and Hamada Helal is undoubtedly considered one of them. From emotional ballads to charming drama roles, Helal has confirmed repeatedly that he’s greater than only a fleeting star. With the overwhelming success of the fifth season of his collection El-Maddah, Helal continues to shine in new and thrilling methods. Helal continues to captivate audiences along with his expertise, creativity, and flexibility, whether or not on display screen or by way of his music. His ardour for each performing and music stays unwavering, and followers can sit up for extra thrilling tasks sooner or later. In this interview, he discusses his ardour for performing, addresses criticisms of the present, and shares his future plans in each music and cinema.

What drew you to the fifth season of El-Maddah?

The earlier seasons’ success performed an enormous function, and the problem every new season brings is at all times thrilling. Every season provides a chance to ship an exhilarating story with surprising occasions. The viewers’s anticipation for El-Maddah retains me motivated to proceed.

How have you ever managed to maintain the story recent after 4 seasons?

We concentrate on evolving the plot and incorporating new parts, resembling myths and fantasy, whereas sustaining the central theme of the everlasting battle between good and evil, which resonates universally.

Do you assume the inclusion of myths and fantasy in El-Maddah brings the collection nearer to the ambiance of One Thousand and One Nights?

Absolutely. Introducing myths provides a component of magic, making the story extra charming. However, we at all times attempt to remain inside the bounds of symbolic realism that resonates with the viewers.

There have been accusations that El-Maddah promotes superstitions and sorcery. How do you reply to this criticism?

The collection delivers a transparent message in regards to the battle between good and evil. It doesn’t advocate for sorcery or false beliefs. We use symbolism and fantasy as dramatic instruments to convey deeper concepts, to not promote superstition.

You’ve been absent from cinema lately. Is there a specific purpose behind this?

Cinema requires vital time and focus, and with my dedication to drama, it’s been difficult to stability each. However, I’m at present engaged on a brand new cinematic undertaking, which I’ll announce quickly.

Do you are feeling that drama has taken you away from each cinema and music?

Not in any respect. I see it as a short lived precedence. Drama has allowed me to painting a variety of characters and discover various tales that resonate with the viewers. I plan to return to each cinema and music quickly.

Do you will have plans to return to the massive display screen within the close to future?

Yes, I’m at present getting ready a movie with a brand new and distinctive idea, which I’m excited to share with my viewers.

Some folks consider you at the moment are extra inclined towards non secular songs, significantly after your function in El-Maddah. Is this true?

To some extent, sure. El-Maddah has impressed me to concentrate on songs with non secular and humanitarian themes. These sorts of songs are deeply appreciated by my viewers, and I’m grateful for that.

Are you getting ready any new musical work in collaboration with different artists from the collection?

Yes, we’re engaged on a brand new track that will characteristic considered one of my colleagues from the El-Maddah crew. We’ll share the small print quickly.

What type of songs do you propose to current within the close to future?

I’m specializing in songs that carry constructive and non secular messages, along with the youthful tracks my viewers is accustomed to.

Your concert events have grow to be much less frequent lately. Is this as a result of private or skilled causes?

My involvement in performing has taken up plenty of my time, however I’m organizing my schedule to make sure I can current extra concert events sooner or later.

How do you view your musical journey alongside your rising involvement in performing?

Music will at all times be an integral a part of my creative journey. I’m dedicated to balancing each music and performing, making certain neither takes a backseat.

Do you assume the success of El-Maddah may result in extra works impressed by heritage and mythology?

Definitely. Heritage and mythology supply a wealth of artistic materials for dramatic storytelling, and I hope to proceed exploring these themes in future tasks.

How do you strategy the problem of taking part in various roles, significantly when transferring away out of your character, Saber El-Maddah?

I’m very selective with the roles I select, aiming to current various characters that problem me as an actor. I work laborious to evolve and keep away from being confined to a single character.

Dorra Zarrouk, a celebrated Tunisian actress famend throughout the Arab world for her versatile roles in each tv and movie, has carved a exceptional profession outlined by depth, emotion, and plain expertise. With a historical past of seamlessly navigating between dramatic and comedic roles, Zarrouk’s means to attach with audiences has made her a standout in Arab leisure. Recently, she made her debut as a director with the documentary movie Wein Serna (The Life That Remains), which addresses the harrowing experiences of Palestinian refugees. In this interview, we discover her transition into directing, the impression of digital platforms, and her reflections on her celebrated journey.

Congratulations in your recognition on the VS Film Festival! How does this honour really feel to you?
Thank you a lot! This recognition is actually significant to me because it acknowledges the creative journey I’ve been on. Very brief movies maintain a particular place as a result of they convey profound tales in a concise, impactful method. I’m grateful to be a part of this style.

• With the rise of digital platforms, how do you see the way forward for very brief movies?
  I imagine very brief movies symbolize the way forward for cinema. Digital platforms have propelled this style ahead, matching the fast-paced nature of immediately’s world. While they received’t exchange feature-length movies, they provide a refreshing addition that brings range and a brand new dimension to the trade.
• Can you inform us about your newest Tunisian movie, Sahbek Rajel? What themes does it deal with?
  The movie delves into the complexities of friendship, love, and sacrifice, set in opposition to the backdrop of social and humanitarian challenges. My function was a departure from what I’ve accomplished earlier than, because it portrays each inner and exterior struggles in a recent method. It’s a deeply private exploration, and I hope the viewers connects with its common themes.

• You talked about your character in Sahbek Rajel faces each inner and exterior struggles. Could you elaborate on that?
  The function was difficult as a result of it required me to painting a personality present process important inner battle. It’s about an individual torn between societal expectations and private needs, caught in a whirlwind of affection, friendship, and sacrifice. This character’s interior turmoil mirrors the exterior challenges they face, and I hope this depth resonates with the viewers.
• How was your first expertise as a director with The Life That Remains?
  Directing The Life That Remains was a difficult but extremely enriching expertise. The story sheds mild on the struggling of Palestinian refugees, specializing in the journey of a mom, Nadine, and her youngsters. My objective was to inform their story in truth, with out gildings, highlighting their resilience and humanity.
• Why did you select the Palestinian trigger as the topic of The Life That Remains?
  The Palestinian trigger is likely one of the most pressing humanitarian points globally. With my background in political science, I really feel a deep connection to the plight of Palestinian refugees. It was essential for me to create a movie that represents their struggles in an sincere and compassionate mild.
• What have been a number of the challenges you encountered throughout filming?
  One of the most important challenges was working with non-professional actors, particularly since lots of them have been actual folks residing via the refugee expertise. It took appreciable effort to assist them really feel comfy in entrance of the digicam. Additionally, filming in several areas required meticulous planning to make sure security, significantly as a result of there have been youngsters concerned.
• How did the movie resonate with each the viewers and critics?
  Thank God, the movie discovered an emotional reference to the viewers. People actually empathized with Nadine’s journey. Critics additionally supplied optimistic suggestions, praising my directorial debut and seeing it as a useful step in my creative evolution.
• Do you propose to pursue extra directing tasks sooner or later?
  Absolutely! Directing has at all times been a ardour of mine, and I’m wanting to proceed exploring this area. I wish to create extra works that deal with social and humanitarian points, utilizing cinema as a strong device for change.

• What do you search for when deciding on creative tasks?
  I’m drawn to robust scripts that deal with essential points and resonate with me personally. I hunt down tasks that problem me artistically and permit me to discover numerous roles. Equally essential is the group I collaborate with — a optimistic, supportive ambiance on set is crucial to me.
• How do you view the way forward for Arab artwork and drama?
  Arab drama is present process a interval of great progress, particularly with the rise of digital platforms. There’s extra range in storytelling and an enchancment in manufacturing high quality. I imagine this shift presents artists new alternatives to showcase their creativity in distinctive and modern methods.
• Do you assume these adjustments have a private impression on artists?
  Yes, in fact. The rise of digital platforms has considerably expanded the inventive panorama. Artists not have to stay to conventional TV or movie codecs; platforms like Netflix and Shahid supply flexibility and freedom in each content material and time. However, with that freedom comes accountability. We should be discerning within the tasks we select, as we nonetheless maintain an obligation to current significant work to our viewers.